• Home
  • QUARTET No.I
  • QUARTET No. 2
  • BLACK ICE
  • RIVER REVEAL
  • STONE / STONE
  • WORK SITES / WORK CITES: VOLUME I
  • WORK SITES / WORK CITES: VOLUME II
  • NIGHT BY NIGHT
  • GHOST POEMS FOR THE LIVING
  • BRODER
  • Artist Statement
  • Black Ice Introduction
  • River Reveal Introduction
  • Stone on Stone Introduction
  • Work Sites / Work Cites: Introduction
  • Ghost Pems for the Living: Introduction
  • Broder Introduction
  • Fine Press Poetry Books
  • CV
  • Contact
  • Paulette Myers-Rich / Traffic Street Press
    Photography, Fine Press Poetry  & Artist Photo Bookworks

    • QUARTET No.I
      QUARTET No. 2
      BLACK ICE
      RIVER REVEAL
      STONE / STONE
      WORK SITES / WORK CITES: VOLUME I
      WORK SITES / WORK CITES: VOLUME II
      NIGHT BY NIGHT
      GHOST POEMS FOR THE LIVING
      BRODER

    • Artist Statement
      Black Ice Introduction
      River Reveal Introduction
      Stone on Stone Introduction
      Work Sites / Work Cites: Introduction
      Ghost Pems for the Living: Introduction
      Broder Introduction
      Fine Press Poetry Books
      CV
      Contact

RIVER REVEAL


An Observation of a Site

Once Lived and Worked Upon

Demolished, Abandoned, Remnants

Buried by Weeds, Trees and Alluvium

Exhumed by Water and Erosion

Trees Felled by Winds 

and the Wake of Boats

Upon the Mississippi River.

Revisited from time to time

as the seasons changed.

2005 - 2007 

 



River:    the Mississippi


Reveal:  to make known, disclose, divulge: to reveal a secret; to lay open to view;  an act or instance of revealing; revelation; disclosure.

 

Reveal:   the part of the jamb of a window or door; opening between the outer wall surface and the window of a door frame; the whole; jamb of an opening between the outer and inner surfaces of a wall.




COLOPHON


RIVER REVEAL was produced in a variable edition of 5. Photogravures are printed on Johannot 240 paper with Charbonnel soft black ink. Portfolio, box and text pages are Canapetta linen, Cave Paper handmade black flax and overbeaten flax vellum. The text pages are letterpress printed in Centaur. The materiality of this work is a gift to the makers’ and readers’ senses in a time when so much is senseless.  –PMR  2007